Edition 7, 2024

BY MIA LINDGREN — I asked AI to give me a list of words including the prefix ‘non’: non-profit, non-negotiable, non-essential and so on. The non prefix is used to indicate the opposite, absence or exclusion of the root words, meaning it signals a deviation from the standard, typical or

BY JESSICA WILKINSON — In the ERA 2018 exercise I was invited to be an assessor for the Creative Writing field. Of the five universities assigned to me for assessment of submissions within this code, I encountered wildly different approaches to how each university collated the 'top 30%' of representative

BY BEATA BATOROWICZ — provocations on traversing research and industry success within creative practice. The ‘tension’ between industry and academia, in addition to having diverse roles within the broader creative arts research ecology of development and contribution, also describes an interconnectedness: they both feed into each other in building notions

BY CRAIG BATTY — Do we agree on what we are looking for in research assessment in creative disciplines? As a DASSH survey in 2018 revealed, assessors (at least those surveyed) had mixed views about what was important – from theoretical contributions, to industry contributions, to hybrid contributions, and so

BY DAVID CROSS — Oh, to be world standard. To have reached the peak of global creative practice. To have left behind the parochialism of local concerns and made it in the places, contexts and ruthlessly competitive environments that truly matter.

Thank you to all that so generously and respectfully contributed to the conversation on the day of the National Online Forum, both ‘on mic’ and in ‘the chat’. The contributions in the below text are not assigned to individuals but rather the general threads and themes are summarised. For more

BY JULIA PRENDERGAST and JEN WEBB — Let us begin by introducing ourselves: we are Associate Professor Julia Prendergast, AAWP President/Chair, and Distinguished Professor Jen Webb, AAWP Treasurer – accepting the invitation to contribute on behalf of the Australasian Association of Writing Programs (AAWP), the peak academic body representing the

BY VERONIKA KELLY and CHARLES ROBB for ACUADS — The Australian Council of University Art and Design Schools (ACUADS) is the nation’s peak organisation representing the interests of art and design schools within Australian higher education. Here, ACUADS draws attention to issues surrounding the interpretation and positioning of ‘world standard’

BY SUSAN KERRIGAN for ASPERA — Australian Screen Production Education and Australian Screen Production Education and Research Association (ASPERA) has contributed greatly to the creation and assessment of Creative Practice Research (CPR) in Screen Production disciplines. This work began with the creation of the peak disciplinary body two decades ago,