President’s Welcome: The Art of Leadership?

It feels like we have been explaining our case for decades, perhaps longer.  It is exhausting ! However, what can we do but to continue to advocate, to be a voice among many, giving form to the changing conditions of both Higher Education  and the creative arts themselves?

It feels like we have been explaining our case for decades, perhaps longer.  It is exhausting! However, what can we do but to continue to advocate, to be a voice among many, giving form to the changing conditions of both Higher Education  and the creative arts themselves?

What should leadership look like under these conditions?

Do we need to lead from the front? –  carving out new fields for exploration and speculation – so much a model for avant-gardes, and imperial powers, not always so different,  but oftentimes at odds with each other.

Or do we lead from within? – growing strength and capability of the individuals in the community and harnessing that energy to build on a confident highly motivated group.

This characterisation is too simplistic, I know. Leadership needs to be different things at different times for different outcomes. How well do we understand this in the creative arts?

I actually think we do know. Perhaps it might not be too much to say that art is itself a leadership trope.

The arts as we know it,  in the post enlightenment European tradition at least, is about extending boundaries of knowledge, asking the ‘what if’ questions, testing new ideas to make better work, whatever the form.  In so many cases,  being ahead of the curve is what is judged as high achievement. Though leadership should translate to advancing disciplines,  it should also translate in such a way that people can live it.

As we know advocacy is ongoing, as is the artistic impulse itself. The DDCA was born from and by the leaders of creative arts schools, colleges, faculties and divisions in the university sector, in all their structural complexity.  There are no two members of the DDCA who are in the same governance relationship to another. But with all of these points of difference the leaders came together to try and strengthen the profession, the artistic cultural and intellectual capital of the nation, and our people.

It makes it doubly sad to see instances where, despite best efforts, leadership fails to protect and advance the interests of their constituents staff and students.  We need to look at what are the factors that drive such different conditions and understand what a difference leadership can make.

Other recent news

Other related news

For many, 2022 has been a year of transition. Whether moving into new roles or university structures, new (or extended) forms of teaching and learning, different research and research training landscapes, not to mention refreshed national governance and priorities, many of our DDCA members will remember 2022 as the year where changes brought about by COVID-19 started to settle in.

Welcome to this penultimate edition of NiTRO for 2022, which has been expertly curated by Dr Alejandra Canales and her colleagues at The Australian Film, Television and Radio School (AFTRS).

Welcome to the latest edition of NiTRO. The clocks (for some) have moved forward, and I know many of us are looking forward to a well-earned summer break. But alas, there is still a lot to do before then!

Arts and culture in Australia is on the turn. We hope. Since the recent federal election, from which the Australian Labor Party came back into power after a 9-year hiatus, there has been a lot of “noise” about the potential of a real future for arts and culture. “New National Cultural Policy”, which is currently accepting submissions (the DDCA is collaborating on a submission with our colleagues at the Deans of Arts, Social Sciences and Humanities – DASSH), is just one sign of the Federal Government's commitment to what many of us already know to be the lifeblood of

Welcome to the 42nd edition of NiTRO, which examines a broad range of approaches and viewpoints on the Creative Arts PhD, edited by David Cross and Jenny Wilson

Welcome to the 41st edition of NiTRO, our second for 2022. The pandemic is still very much with us as we are open up and international travel returns. Most students have returned to campus, yet classes continue to be plagued by high levels of absenteeism, and academics manage a range of hybrid approaches, a complex task in many artistic disciplines.