Perspectives on creative arts in higher education
I live in Lismore in northern NSW and in 2017 it was devastated by a major flood. Ex-cyclone Debbie had travelled down Queensland’s coast, into the Northern Rivers and hit with a vengeance … I had the urge to provide a space for community reflection on that flood and what we had learned. What I created became Flood Stories.
The Feral Queer Camp, at its most simple, involves pulling together a “gaggle”, a group or gang, of queer people who are interested in performance – this could be theatre makers, audience members, writers – and just travelling together through a series of performances, so that we can build a vocabulary for talking about the works together.
The lockdown that occurred as a result of COVID-19 from March 20, 2020 saw higher music education institutions grappling with how to adapt to teaching in an online context. From the perspective of a performance-based music institution, one year on, this article re-evaluates the challenges relating to embodied peer learning most evident in ensemble classes.
Two dancers face each other two metres apart in a bare studio. Drawing arcs in the air between them with deft counterweighted movement, their mirrored gestures trigger strings of words: “White matter … things to infer … spectral hearing … brain has to save you.” An echolalia or a mashup of phrases representing mental spaces: words and movements cohere and collide in moments of dissonance and convergence.
In 2019, nearly 500 women over fifty participated in a photography event called 500 Strong. Photographer Ponch Hawkes photographed these women posing nude in studio spaces in Melbourne and in Victorian regional towns … to fashion a dialogue about women’s bodies that avoided the clichés of decline and loss, but as an artistic challenge to reimagine ageing representation.
It is well-known musicians enjoy their art form because it blends challenge and satisfaction: playing with a high-level of motor and musical refinement, while facilitating important self-to-other transactions linked to social cohesion, and implicit and explicit wellbeing outcomes. In the early months of 2020, the world went into a self-imposed lock down in response to Coronavirus, and many musicians watched as their whole performance calendars disappear overnight.
Co-design is a robust collaborative approach to design practices and processes that invites participation from multiple stakeholders in shaping and responding to collectively identified problems or issues.
The Creativity and Wellbeing Hallmark Research Initiative (CAWRI) was established in 2019 by a group of senior researchers from seven of the University of Melbourne’s ten faculties to build capacity and foster inter- and cross-disciplinary research collaborations focusing on creativity and wellbeing.
Australia is now entering into a “second convict age”. This was the bold assertion made by Federal Labor MP Andrew Leigh in his recent report on the rising rates of incarceration in Australia. Currently more than 10.74 million people are held in penal institutions throughout the world, and since 2000 the world prison population has grown by almost 24%.
In the spirit of reconciliation, the DDCA acknowledges the Traditional Custodians of country throughout Australia and their connections to land, sea and community. We pay our respect to their Elders past and present and extend that respect to all Aboriginal and Torres Strait Islander peoples today.