De Montfort University in the UK is commencing a five-year project to explore how how audiences and performers experience ‘liveness’ in performances. The collaborative study, which was funded by the European Research Council under the €1.9m (£1.6m) NEUROLIVE project, will be led by contemporary dance choreographer Matthias Sperling and includes collaboration with researchers and practitioners in dance, neuroscience, psychology and wearable technologies. The project will explore the minds, brains and bodies of performers and spectators before, during and after newly created dance performances to understand how ‘liveness’ is experienced.
CONTRIBUTE to Findings 2
FINDINGS is a biennial peer-reviewed journal of practice-based exegetical writing by Australian art and design postgraduates. FINDINGS is published by