NiTRO + Creative Matters

Perspectives on creative arts in higher education

Composed by COVID?

A Massachusetts Institute of Technology team, led by musician and engineer Markus Buehler, have employed AI to convert the shape of protein structures found on SARS-CoV-2 into a musical equivalent resulting in a score with a “pleasant, even relaxing, tone”. By capturing the arrangement of amino acids and protein chains into audible intersecting melodies, the researchers hope to give scientists a way to hear structures that are too small to be seen and provide another tool to better understand the virus.

Other recent news

Read: VIS #12

CONTEMPORARY AR(T)CHAEOLOGY VIS Issue 12, October 2024: Contemporary Ar(t)chaeology: A dead-alive of Artistic Re-search and History This issue contains seven expositions

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Other related news

ARC Discovery funding announced

Congratulations to all whose projects have been approved for ARC Discovery 2025. A special congratulations to the five of 536 teams receiving the award in the Creative Arts field of research. Associate Professor Xiaohuan Zhao; Professor Dr Duanfang Lu; Professor Dr Wenming Che; Professor Dr Deyin Luo; Professor Dr Luwei Wang (The University of Sydney) […]

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VIS OPEN CALL #14

The Heart of the Experiment (and the art of failure). Editor: Michael Francis Duch, co-editor Tale Næss. “In this edition of VIS we would like to pay attention to experimental art practices and artistic research where the experiment is at the heart of the practice and the main pulse of the art work. Where one […]

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Read: VIS #12

CONTEMPORARY AR(T)CHAEOLOGY VIS Issue 12, October 2024: Contemporary Ar(t)chaeology: A dead-alive of Artistic Re-search and History This issue contains seven expositions that investigate the past with methods that activate an intersection between art and archeology. Editors of the issue are Behzad Khosravi Noori and Magnus Bärtås. Read more @ VIS…

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Article: Empathic unsettlement + textile art

‘Empathic unsettlement’: trauma as spectre in contemporary textile art by Beata Batorowicz and Jane Palmer, in the Journal of Aesthetics and Culture. ABSTRACT Autobiographical trauma art is a way to connect its viewers with the artist and her experience, and with the history in which this experience occurred. We argue that when autobiographical trauma art involves […]

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FINAL AGENDA

DDCA Symposium 2024 SUSTAINING – MAINTAINING – NOURISHING – CREATIVITY DATE: Friday 29th November, 10am – 5pm AEDT LOCATION: Federation University Ballarat Technology Park, 106-110 Lydiard Street, Ballarat Central 3350 This is a free, fully catered, one-day event which will be held on and around Federation University’s SMB campus in leafy Ballarat, regional Victoria.  This […]

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WEBINAR: Co-creation and creative health #3

Presented by Monash University Wednesday November 27 9:00-10:15 am AEDT (5 – 7pm Tuesday November 26 USA; 7 – 9pm Tuesday November 26 Brazil) ONLINE REGISTER FOR THE EVENT Presenters: Professor Judith McLean and Katherine Zeserson Moderators: Professor Margaret Barrett and Dr Aura Go. Creativity is essential for the wellbeing of many, and the act of […]

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