Perspectives on creative arts in higher education
CONTEMPORARY AR(T)CHAEOLOGY VIS Issue 12, October 2024: Contemporary Ar(t)chaeology: A dead-alive of Artistic Re-search and History This issue contains seven expositions that investigate the past with methods that activate an intersection between art and archeology. Editors of the issue are Behzad Khosravi Noori and Magnus Bärtås. Read more @ VIS…
‘Empathic unsettlement’: trauma as spectre in contemporary textile art by Beata Batorowicz and Jane Palmer, in the Journal of Aesthetics and Culture. ABSTRACT Autobiographical trauma art is a way to connect its viewers with the artist and her experience, and with the history in which this experience occurred. We argue
Guest Editors: Victoria Baskin Coffey, Jennifer Deger, Caleb Kingston, Sebastian J. Loweand Lisa Stefanoff “The guest editors and authors have created a wonderful space of ‘intermedial’ design and composition that powerfully demonstrates how anthropological knowledge practices can be expanded, and indeed, regenerated. Each contribution reveals richly diverse ways of knowing
Findings is a new peer-reviewed journal dedicated to publishing the work of emerging creative arts academics, with a focus on the areas of Art and Design. Published by The Australian Council of University Art and Design Schools ACUADS. Keep your eyes open for Issue # 2, 2025 call for papers.
“Nine ways to reflect on how art can contribute to sustainability transformations” Dr. Joost Vervoort “The 9 Dimensions tool creates a shared language between creators, funders and researchers. It is designed to recognize and reflect on the multidimensional richness of creative practice and what it can do to create a
Expanded Second Edition (2024) Ed. Lucy Cotter “Reclaiming Artistic Research – Expanded Second Edition (2024) explores artistic research in dialogue with 24 artists worldwide and embraces artists’ dynamic engagement with other fields. Reclaiming the term “artistic research” from its academic associations, the book foregrounds the material, spatial, embodied, organizational, choreographic, and
By Phoebe Hart “This book explores the industrial and personal challenges faced by filmmakers in bringing the current worldwide craze for documentary films and series to screens small and large. Utilizing a number of case studies drawn from in-depth interviews with acclaimed documentary directors, producers, and screenwriters from around the
Edited By Maiju Loukola, Mari Mäkiranta, Jonna Tolonen “This edited volume breaks new ground for understanding peripheries and peripherality by providing a multidisciplinary cross-exposure through a collection of chapters and visual essays by researchers and artists. The book is a collection of approaches from several disciplines where the spatial, conceptual,
An exhibition model specifically designed for art and artistic research located outside traditional exhibition circuits. ‘A key feature of Project Anywhere’s global exhibition model has been its approach to selection and evaluation. A robust and exhaustive approach, in which the function of the curator is substituted for a democratising double-blind
Ellen Oh + Robin Wander for the Stanford Report ‘Oh discusses the role of interdisciplinary arts on a university campus, what makes a good collaboration, and why connecting artists with academics is about more than making research look pretty… Applying an artist’s way of thinking can inspire innovation, social and
In the spirit of reconciliation, the DDCA acknowledges the Traditional Custodians of country throughout Australia and their connections to land, sea and community. We pay our respect to their Elders past and present and extend that respect to all Aboriginal and Torres Strait Islander peoples today.