“Expositions are imaginary objects. Even when they are made physically, for instance, on the computer when preparing a submission to JAR, they only work when the elements making up what is assembled come together in a particular form. On its own, each element may offer numerous points of entry and meanings, but in a specific, expositional constellation it supports an image, understanding or sense, even, that can be quite different to what each element on its own can offer. It seems that, generally, aesthetic objects have this kind of quality.”
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