NiTRO + Creative Matters

Perspectives on creative arts in higher education

Lockdown in London – COVID reflections

It’s been a year of momentous change. I started my job at London South Bank University (LSBU) during lockdown, meeting my team for the first time online in 2020, in the midst of the global COVID-19 pandemic. My day was quickly filled with back-to-back online meetings.

By Associate Professor Lucy Brown

It’s been a year of momentous change. I started my job at London South Bank University (LSBU) during lockdown, meeting my team for the first time online in 2020, in the midst of the global COVID-19 pandemic.  My day was quickly filled with back-to-back online meetings, whether sat in my office on campus admiring the view of the Shard, or working from home in the north of the city.

View from LSBU window

View from LSBU window

COVID has upended what we thought we knew about teaching creative practice in higher education. University staff are exhausted from working exceptionally hard to rapidly pivot to online teaching. Uncertainty continues but as we emerge from this extraordinary year, we are seizing the opportunity to reflect and ask ourselves how we should best deliver practice based courses in a meaningful way, ensuring mental health and well-being are supported whilst keeping everyone safe and protecting staff from burnout.

LSBU is a widening participation university and it is vital we focus on equity of experience in terms of access to technology and equipment and consider individual circumstances. The pandemic has exposed the barriers many students face, and it is important that we tackle inequalities, ensure equal access and create a sense of belonging to nurture students and support confidence in digital delivery.

My department consists of predominantly practice based courses, and COVID-19 raised particular challenges for learning-by-doing pedagogy which relies on studio facilities and high-end equipment. In the autumn term staff did a fantastic job to safeguard access to campus by transforming teaching spaces and rethinking delivery to meet both the needs of students who could travel to campus and those who were isolating.

We were faced by another lockdown in the UK in January 2021, resulting in all of our delivery moving entirely online. There are undoubtedly benefits to virtual learning including greater flexibility and convenience for staff and students, and access to high profile industry speakers who may not have had the time to physically travel to campus to deliver a masterclass or lecture. However, we need to be cognisant of the possible impact on students, particularly first years, beginning their university journey on how much knowledge is gained by osmosis and being surrounded by peers and tutors in a physical university setting.

The pandemic has exposed the barriers many students face, and it is important that we tackle inequalities, ensure equal access and create a sense of belonging to nurture students and support confidence in digital delivery.

Mental health issues are on the rise and impacting staff and students. We need to embrace a pedagogy of care but how do we reach out virtually to help students hiding behind turned-off cameras? Many students are feeling disconnected from their peers and miss coming to campus for face-to-face sessions. Hybrid teaching creates an opportunity to redesign our spaces and build caring physical and virtual environments where time and energy is given to educational and social spaces to connect, learn from each other and socialise.

We are still learning what works. We need to listen to student feedback and adapt our teaching and delivery. We know it is not enough to replicate how we teach face-to-face. Student feedback reveals there is a sense of online fatigue with some students reporting that they are struggling to concentrate and feel overloaded. We also need to support academics who can feel like they are teaching into a void. This requires rethinking engagement by having shorter, smaller online sessions, prioritising listening and encouraging inclusive interactivity, without frightening students away.

We need to be cognisant of the possible impact on students … on how much knowledge is gained by osmosis and being surrounded by peers and tutors in a physical university setting.

Now in the UK there is a sense of relief – Spring is in the air, the evenings are getting lighter and longer, and kids are back at school; a huge relief for those who have been balancing home schooling with a full time job. I am immensely grateful for the support I have received from my colleagues. In this unprecedented year of radical uncertainty we have often felt at the mercy of government guidance and I have witnessed my colleagues’ dynamism, creativity and resilience. It’s been challenging but I am optimistic that we are well placed for whatever comes next. 


Lucy Brown is Head of Division for Film and an Associate Professor at London South Bank University. She is an authority in media with credits on multiple BAFTA and RTS winning programmes and has filmed around the world for the BBC, ITV, Channel 4, Nickelodeon and Disney. She is a Senior Fellow of the Higher Education Academy, winner of several Excellence in Education Awards and an International Journalism Award. She is an Executive Board member of the National Association for Higher Education in the Moving Image (NAHEMI), Founder of Women in Screen and co-author of The TV Studio Production Handbook (Bloomsbury).

More from this issue

From both sides

Recent online interviews with Professor Carol Becker, Dean of the Columbia University School of the Arts, and Professor Rob

Read More +

More from this issue

In the summer of 2019 an Erasmus+ bid for research into STEAM in Higher Education, coordinated by Birmingham City University, was approved. At the time, the UK was also in protracted negotiations with the European Union, the impending exit having implications for educational exchange. This would prove to be a deeper issue to resolve.

Monday 2 March 2020 turned out to be Guildhall School of Music & Drama’s last day of normal service. Hitherto there had only been five cases of COVID-19 in the UK. That morning we discovered that one of our staff had tested positive and became the sixth case.

Recent online interviews with Professor Carol Becker, Dean of the Columbia University School of the Arts, and Professor Rob Cutietta, Dean of the Thornton School of Music, University of Southern California (USC), offered insights into the impact of 2020 on the tertiary arts sector on the eastern and western seaboards of the United States.

March 2020 to March 2021 has for all of us been the most unusual year, a time when we have been immersed in a universal but highly individualised fug of dread, anxiety and increasingly bad hair.

I ran the Stage Management pathway at a traditional drama conservatoire in the UK for a number of years. Digital Education was in its early days and the general mantra was, “It does not work for us or our students – we are a practical discipline that must be taught face to face.”

As I write this article the UK is moving out of a national lockdown – again. This time, however, the Government roadmap that was announced is the attempt to return the country to some form of normality.

In Ireland and the UK, those of us who teach film theory and practice at academic institutions had to adapt quickly to assist students attempting to complete creative practice projects during 2020 and 2021. Suddenly the usual array of filmmaking opportunities was vastly reduced.

Music has a fundamental quality to help us connect with others, to satisfy and nourish our need for companionship. Its unique and universal capacity to engage and connect us, socially and emotionally in enjoyable ways, lies at the heart of why music is implicated a huge number of health-related interventions.

In Australia, we have not only closed national borders but intermittent interstate closures have made our physical worlds contract even further and concentrated our attention on our local communities and colleagues. As a glimmer of a post-COVID life emerges, we peek outside our Antipodean curtain to explore how others have fared.

In March 2020 an announcement was broadcast that we should all stay at home and only venture out for the most essential activities. While this had been anticipated, it still came as something of a shock and heralded the start of a period in all of our lives that few might have imagined previously.