NiTRO Creative Matters

Perspectives on creative arts in higher education


In the years leading up to 2020, the experience of studying my postgraduate degree had been highly anticipated. Having heard so many wonderful anecdotes from plenty of alumni students, I was thrilled to finally ‘have my turn’ and accept my position as a producing student at the WA Screen

COVID-19 has been a pivotal moment in my creative practice, pushing it in an unexpected direction. It has both challenged and inspired me in evolving my work … throughout this period of time my studio set up has altered drastically in not having access to the machinery that ultimately

It’s taken me a few days to start writing. My reactions are slow at the moment. I find it difficult to focus. I’m distracted; often glancing between my work, the Guardian live blog and commentary on Twitter. I think often of home – Aotearoa – and trust I won’t

By March 2020, after months of planning and organising, I was poised to enter the recruitment and data collection phases of my PhD research projects … studio practice had been identified as the key methodology through which I would test research questions and generate creative works.

Virtually all students have been affected by COVID-19 in one way or another. From the restriction of social distancing arose the transition towards online teaching, some courses were ready for this change while others weren’t.

Art for me has always been a process to make sense as I am a performance artist that utilises endurance to challenge the contingencies of space, time, and the body. The focus of my PhD research is precisely this.

Continuing to study the arts in isolation required self-motivation, perseverance and the ability to think, even further, outside the box. The sudden shift from practical exercises to the confines of a screen was … frustrating for professors and students alike.

The portal is closing, and the artists in Australia have managed to seize control of their sector. The career ladder has broken down into snakes and slithered away. The old models of making and presenting have shed their skin, to reveal new ways.

As I began the journey of my PhD candidature, my main drive to proceed was a social conundrum. I wanted to explore and if I could, rationalise, the visceral empathy which at times many are affected by, when witnessing upheaval in the lives of those around us.

It begins with me buying two 10kg bags of bread mix. I think we might have to bunker down for a while even though my husband’s words “Don’t worry it will all blow over in a day or two” continually float around the house.