NiTRO Creative Matters

Perspectives on creative arts in higher education

NiTRO Contributions

Independent artists are faced with a challenging and transforming landscape that requires adaptive resilience in order to thrive creatively, today and in the future. How do we, as tertiary educators, empower and enable artists to build strong and flexible, professional contemporary art practices? To address this issue, my current research

By Dr Jenny Wilson. DDCA’s Research officer Jenny Wilson caught up with Henk Borgdorff in Amsterdam in April 2016,  hot on the heels of his recent speaking tour of European and UK universities, art and music schools, to find out more about artistic research and European experiences of the politics
By Professor Jeri Kroll Since the Strand report (1998), scholars have been unpacking the manifold ways in which creative works can be research. Explaining the usefulness of questions to doctoral candidates not only keeps supervisors honest, but also keeps at the forefront of everyone’s mind why theory is unavoidable.
By Professor Paul Draper and Professor Scott Harrison Communities of profession, the old academy and the new academy, intimately rub up against each other and while some research may still be considered ‘more equal’ than others for now – this evolving mix can only positively impact on the rise of artistic research,
By Associate Professor Cheryl Stock AM — The narrative of knowledge is almost always underpinned by the cognitive but how we know the world is often through the experiential. Whilst we have moved a long way in redefining knowledge in research terms to include the processes and outcomes of our practices
By Dr Danny Butt — During the 1990s and 2000s, as readers of NiTRO know well, an intensive debate took place among art and design academics as to whether their practices and those of their graduate students could be called research, and if so what “contribution to knowledge” might be
By Professor Margaret Sheil — On my last outing in an ACUADS conference,  I was described by Flinders University’s Julian Meryick as the “artist’s ideal of a scientist… impatient with the reduction of everything down to short term utility.” So as I venture once again into the creative arts domain,
By Professor Ross Woodrow — The decision by the Australia Research Council (ARC) to achieve the long-mooted merging of the Higher Education Research Data Collection (HERDC) and the Excellence in Research for Australia (ERA) exercise by adeptly disappearing the HERDC has been welcomed by many discipline leaders, and not just
By Associate Professor Robert Burke and Dr. Andrys Onsman — Criticism of the scientific methods of doing research has increasingly pointed out that all experimental research involves some sort of creative leap. In the performing arts such creative leaps are fundamental to artistry.
By Dr Leo Berkeley — The creative practice of filmmaking, understood as a form of academic research, has been growing in scale and significance within Australian universities for several years.  While doctorates involving the making of a film have been occurring for decades, it is only relatively recently that the academic